Gasoline Dreams (Simon Orpana, 2021)
Simon Orpana, Gasoline Dreams: Waking Up from Petroculture (New York, NY: Fordham University Press, 2021).
Simon Orpana, Gasoline Dreams: Waking Up from Petroculture (New York, NY: Fordham University Press, 2021).
This article ventures seaward to examine how two contemporary Danish novels paradoxically uses irrealist features to make visible the existent opacity and mythology of oil.
In 1995 Michael Billig introduced the term ‘banal nationalism’ to refer to those representations and reproductions of the nation which are as ubiquitous as they tend to go unnoticed.
The aim of this paper is twofold, first to explore how Sandrine Bessora’s novel Petroleum (2004) engages with the Medea intertext, and thus inserting itself in a specific literary filiation, addresses the writing of history.
From 1966 to 2012, oil companies operated a massive refinery on the Island of St. Croix, United States Virgin Islands (USVI).
This article, as its title suggests, wishes to discuss some methodological issues of historical research on the industrial past of gas lighting and its sources.
Human labor and knowledge has been central to the ability of companies and states to extract and produce energy. Workers, engineers, technocrats, and managers have played a central role in the development of the hydrocarbon industry.
This paper analyses employee needs in the Romanian oil industry during the interwar period. Three distinct periods will be explored: the aftermath of the First World War, the economic crisis of 1929-1933, and the outbreak of the Second World War.
The oil and gas industry is generally imagined as a prototypical ‘men’s world’, with the multifaceted work women have performed largely invisible. This is being rectified by growing research on women workers in the industry.
The Iranian oil nationalisation crisis, which ended in the coup that overthrew nationalist prime minister Mohammad Mosaddeq, is well known.